The following was submitted by John Shanley — aka “Johnny Angola” — of the Pittsburgh punk band The Shut-Ins. He now lives in Philadelphia where he works as Creative Director at an ad agency.
The placid confines of Woodland Road provided part of a fitting juxtaposition for the evening to come. I was well aware of the Chatham Police force’s thin tripwire—having been stopped many times late at night, taking the shortcut from Fifth Ave to Squirrel Hill, and I knew this would be an evening to remember.
My band, The Shut-Ins, were playing our first real gig outside of a stray party now and then. And somehow, through a friend of a friend who booked acts into Rea Coffeehouse, we got a gig at the august private girls’ college. We played punk, and in 1977 in Pittsburgh, that got you noticed. That, spiked short hair, and paint-splattered, torn thrift store clothes.
We’d thoroughly postered the East End, hoping for a decent turnout, but knew not what to expect. I pulled out a can of spray paint during pre-show beer drinking and penned “Diamond Reo=Zero” on the ductwork above the stage area. As a typical Pittsburgh bar band, they were, in our eyes, the old guard and it was our job to bring them down; to take rock music and give it a hard kick in the ass. The Pittsburgh (and US) economy was in the crapper, the mills were shutting down and laying off. Times were changing; not necessarily for the better, but they were changing. We were determined to be a part of what was next.
A few students peeked in during sound check, and a handful took some seats in the back. We chatted and welcomed them, thinking that would be it: a few brave Chatham sisters. But as the clock ticked toward show time, the cars began to arrive in droves. Maybe one in 10 looked like a potential kindred spirit, but the rest: the old guard rock and roll bar crowd. And they were parking not in the lots, but up and down Woodland. Swissvale and McKees Rocks denizens were ignorant of the voracity of the Chatham cops to stop and ticket.
We wasted no time. Rea was packed. Everyone brought beer. The heckling was already starting, which to us, was inspiring. Being the lead singer, I was less than five feet from the front of the crowd. We launched into the set with a primal punk “1-2-3-4.” The music was deafening and we had no monitors, so I couldn’t hear myself. My 19-year-old eyes darted from face to face, some snarling, some glaring, middle finger raised, and a few of the kindred gleefully bouncing up and down: the early punk pogo, before “slam” or “mosh” was incorporated into the lingo.
Anti-punk epithets and full beer cans flew in between songs and we gave it right back, shaking beer cans and showering the crowd. I wasn’t sure how this would end up, and really didn’t care. It was mayhem. It was majestic. And so far, we were in control.
The crowd was growing bolder—and drunker—as we clicked through the next few songs which were fast, loud, lean, and brusque: “I Hate My Girlfriend”, “Curfew Time”, “Revlon Girls”, and a paean to my home town simply titled “Pittsburgh,” with a chorus that ended in a chant of “I want out!” Many in the crowd assured me they’d be happy to show me the quickest route.
In the middle of the next song, as quick as the evening had started—it ended. Perhaps I was entranced and didn’t notice, but at some point, a large crowd of Pittsburgh Police entered from somewhere and pulled the plug. I felt a beefy cop’s hand on my shoulder. “The show’s over,” he said. And indeed it was. The cops told people to get their (ticketed) cars out of Woodland Road or they’d be towed.
It took me a little while to come back to earth from this carminis interruptus, but as I crouched in front of the drum kit, still holding the dead mic, I stared up at the people shuffling out. These denizens of The Decade, Fat City, the 3D Lounge passed by, some nodding, a few giving a thumbs-up. We’d given them something outside of their usual, from the Elysian serenity of Chatham, to the cacophony of loud, obnoxious music in a small room without a bartender.
There were no arrests. We didn’t make it into Bill Burns’ 11 p.m. newscast. But we did clean up the mess, along with a few new friends and Chatham girls who hung out with us into the night.
Following the Rea Coffeehouse gig, a few more Shut-Ins gigs were raided by the police, whereupon we decided to move to the more fertile punk stomping grounds of New York City. CBGB, Max’s, and other NYC clubs welcomed us with open arms.